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Performing Gender at Work
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Performing Gender at Work | Elisabeth Kelan | Palgrave Macmillan
Bloomington: Indiana University Press, Tyler, Parker. White, Dave.
Advocate : 60—1. Wise, Naomi. Wollen, Peter. Charlton, Michael. ISSN: Michael Charlton is an assistant professor of professional writing and rhetoric at Missouri Western State University. His PhD work at the University of Oklahoma centred on visual rhetoric. ISSN Britton contextualises the issue in broader terms: Popular American movies presuppose an enormously sophisticated intimacy with the conventions of genre — an intense awareness of the logic of this dramatic world as distinct from that one — and Hollywood works by encouraging a kind of institutional formalism which freezes a film as an instance of the categories it employs.
According to Butler, gender identities are not natural, pre-supposed, or pre-existing but rather come to be through an imitation of imposed cultural norms: And yet what determines the effect of realness is the ability to compel belief, to produce the naturalized effect. Gender Trouble —6 Parody points out that what it is imitating does not, in fact, exist. Norma Jean Baker and Frances Gumm Will Not Be Seen Tonight  So if the consciously postmodern musical falls short of deconstructing the gendered star persona precisely because it imitates the original it had seemed to subvert, what of the original itself?
Notes 1. References 1. Analyze This. Harold Ramis. Warner Bros. Cukor, George, dir.
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Born Yesterday. Columbia Pictures, Metro-Goldwyn-Mayer Studios, Dinner at Eight. It Should Happen to You. Columbia Pictures. My Fair Lady. Pictures, Pat and Mike. Metro-Goldwyn-Mayer, The Philiadelphia Story. What Price Hollywood?
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