She lives in the moment and for the moment with an infectious joie de vivre. Jensen, her husband Jon Wikan a noted jazz drummer , and their young daughter Karina make their home in Westchester County, NY, an hour-plus north of Manhattan. The location affords Jensen and Wikan both ready access to the city for gigs, sessions, and international airports, and a taste of small-town living in sylvan surroundings with panoramic views of the Hudson River.
Some jazz critics describe Jensen as a hard-bop trumpeter, but at a recent gig at the Zinc Bar in Greenwich Village, she showcased a multifacted musical program that embraced Latin grooves, uptempo swing, introspective ballads, European-jazz-flavored atmospherics, and more. Onstage, Jensen, standing tall and statuesque, exhibits confident control of her instrument and the music at hand. With nods and gestures she guides her band through the terrain of each piece.
Every member of her family was musical. Her late mother Karen was a pianist classically trained at the University of British Columbia and later explored jazz. Her older sister Janet played trombone in school bands, and younger sister, Christine, now a fellow music professional, is a gifted saxophonist, composer, and bandleader.
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Records playing around their home spanned jazz history from Louis Armstrong and Jack Teagarden to Miles Davis as well as classical music by Chopin, Debussy, Gershwin, and others. In conversation, Jensen reveals a comprehensive knowledge of jazz history gained through extensive listening and study as well as befriending and playing with jazz elder statesmen such as Clark Terry, Art Farmer, Lionel Hampton, and others. She is currently a vital member of a huge network of top contemporary jazz artists.
After graduating from Berklee in , Jensen began her journey working and living alternately in Europe and New York. Three years later, she signed with Enja Records and in , Vernal Fields , her debut solo album, earned a Juno Award, the Canadian equivalent of a Grammy. Other Juno nominations have followed. To date, she has released five albums as a leader and appeared on countless records by other artists. After settling in New York in the s, Jensen became a member of a rising wave of all-women large jazz ensembles led by female artists and composers, such as the Maria Schneider Orchestra, Diva, and others.
But she works at least as much with male musicians in her various trios, quartets, and quintets, and as a guest artist. The travel required to sustain a jazz career is notoriously tough on family life. As invested in jazz as Jensen is, she is forthright that her family is her top priority.
She and her husband now structure their tour schedules so that one of them will always be at home with their daughter. Ultimately, that means they play fewer gigs together than they have in previous years. Wikan also worked as a carpenter helping to renovate the building over the past 19 months. It opened in May and offers craft beer and live music. You got a Juno Award for your debut solo album Vernal Fields.
Did that give you an initial impression that music industry success might be a piece of cake? A lot of powerful women from Canada were getting all the house that year. Was it apparent to you when you were young that you would become a career musician? It was to me, but not everyone was thrilled about it.
I was in high school with her younger sister and grew up watching Diana play piano before she was singing. We met up again when we were both living in New York in the early 90s. A couple friends of mine had gone to Berklee. They were very encouraging to me. I was given a scholarship to Berklee that covered everything but my living expenses.
My parents covered those for the first year, but then pulled out saying that being a musician was not a real job. So I was on my own. I applied to the Canada Council [for the Arts] and got money to pay my expenses for the second year. I went to Denmark and stayed with my aunt. I was living there for free, transcribing solos, practicing, and playing sessions in Copenhagen. I stayed in Denmark for three months and then moved to the East Village in New York with some Berklee friends for the next year. We had a band with drums, bass, and keyboards called the Jazz Rainbow Coalition.
We started playing in the subway, at Grand Central Station, and in Central Park in the days before you needed a permit to do that. We would sometimes play for five or six hours. We toured for two weeks and then made a record in Switzerland. That was like a dream: my first real tour and recording session.
While I was there, I played at a jam session at the Bruckner Conservatorium. The director there was looking for a trumpet teacher and liked my playing. I auditioned for the job and got it. I was living in New York at the time and was thinking of turning it down, but all of my European friends said it was a great offer and I should take the gig. I did and lived in Vienna for about three years. I was teaching, playing gigs, recording, and hanging out with [trumpeter] Art Farmer.
He was one of my idols and lived in Vienna at the time. She took me to the club and asked Clark to let me sit in. I told him I was moving to Austria. He said we should stay in touch and that whenever he was over there I should come and sit in. He helped me get my first record deal. When Alex was shopping my tape, I asked him to not to start out by telling the labels that I was a woman. I wanted them to make a decision based on what they heard. Matthias Winckelmann [founder] of Enja Records was interested and came out to hear me play.
Making my own records enabled me to put together some dream bands of people that I wanted to play with. I figured out who the core players would be, people that I could play with throughout my life. The Enja contract allowed me to work with people who helped me get better faster and pushed me to be more Ingrid. It was about who I was playing with at that point in my life and what we were putting forth. How did that unfold? When I got together with the members of Diva, they were part of the first generation of women who were working shows and gigs, teaching, and becoming part of the New York jazz scene.
When we got together and played, there was a core energy that was exciting. This had never happened before in New York, as far as I know. Geoglyphs on deforested land in the Amazon rainforest, Acre.
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Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as the "King of Rock and Roll" or simply "the King". Presley in a publicity photograph for the film Jailhouse Rock. Presley's birthplace in Tupelo, Mississippi. Presley in a Sun Records promotional photograph, The Cullinan Diamond was the largest gem-quality rough diamond ever found, weighing 3, It was named after Thomas Cullinan, the mine's chairman.
The nine major stones. After modelling in television commercials and print advertisements, she made her film debut as an extra in Woody Allen's comedy-drama Stardust Memories. Stone at the Cannes Film Festival. France, officially the French Republic, is a country whose territory consists of metropolitan France in Western Europe and several overseas regions and territories. One of the Lascaux paintings: a horse — approximately 18, BC. Vercingetorix surrenders to Caesar during the Battle of Alesia. The Gallic defeat in the Gallic Wars secured the Roman conquest of the country.
With Clovis 's conversion to Catholicism in , the Frankish monarchy , elective and secular until then, became hereditary and of divine right. A Harper's Weekly illustration showing Confederate troops escorting captured African American civilians south into slavery. En route to Gettysburg, the Army of Northern Virginia kidnapped approximately 40 black civilians and sent them south into slavery.
Claire Catherine Danes is an American actress. Danes at the PaleyFest.
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Danes at the Time Edward Regan Murphy is an American comedian, actor, screen writer, singer, and film producer. Murphy was a regular cast member on Saturday Night Live from to Eddie Murphy's star on the Hollywood Walk of Fame. The aureus was regularly issued from the 1st century BC to the beginning of the 4th century AD, when it was replaced by the solidus. Aureus of Octavian , c. From this Article.
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